... produced with the help of the KBG. Or, perhaps more accurately, it was produced by the KGB. Lt. General Ion Mihai Pacepa, who is the highest-ranking intelligence officer ever to have defected from the former Soviet bloc, tells the fascinating story in an NRO piece titled, "Moscow’s Assault on the Vatican," which details various efforts by Soviet leaders and spies "to counter the Catholic Church’s strong anti-Communism":
In 1963, General Ivan Agayants, the famous chief of the KGB’s disinformation department, landed in Bucharest to thank us for our help. He told us that “Seat-12” had materialized into a powerful play attacking Pope Pius XII, entitled The Deputy, an oblique reference to the pope as Christ’s representative on earth. Agayants took credit for the outline of the play, and he told us that it had voluminous appendices of background documents put together by his experts with help from the documents we had purloined from the Vatican. Agayants also told us that The Deputy’s producer, Erwin Piscator, was a devoted Communist who had a longstanding relationship with Moscow. In 1929 he had founded the Proletarian Theater in Berlin, then sought political asylum in the Soviet Union when Hitler came to power, and a few years later had “emigrated” to the United States. In 1962 Piscator had returned to West Berlin to produce The Deputy.
....
Just a year before The Deputy was launched, Agayants had pulled off another masterful coup. He fabricated out of whole cloth a manuscript designed to persuade the West that, deep down, the Kremlin thought highly of the Jews; this was published in Western Europe, to great popular success, as a book entitled Notes for a Journal. The manuscript was attributed to Maxim Litvinov, né Meir Walach, the former Soviet commissar for foreign affairs, who had been fired in 1939 when Stalin purged his diplomatic apparatus of Jews in preparation for signing his “non-aggression” pact with Hitler. (The Stalin-Hitler Non-Aggression Pact was signed on August 23, 1939, in Moscow. It had a secret Protocol that partitioned Poland between the two signatories and gave the Soviets a free hand in Estonia, Latvia, Finland, Bessarabia, and Northern Bukovina.) This Agayants book was so flawlessly counterfeited that Britain’s most prominent historian on Soviet Russia, Edward Hallet Carr, was totally convinced of its authenticity and in fact wrote an introduction for it. (Carr had authored a ten-volume History of Soviet Russia.)
The Deputy saw the light in 1963 as the work of an unknown West German named Rolf Hochhuth, under the title Der Stellvertreter. Ein christliches Trauerspiel (The Deputy, a Christian Tragedy). Its central thesis was that Pius XII had supported Hitler and encouraged him to go ahead with the Jewish Holocaust. It immediately ignited a huge controversy around Pius XII, who was depicted as a cold, heartless man more concerned about Vatican properties than about the fate of Hitler’s victims. The original text presents an eight-hour play, backed by some 40 to 80 pages (depending on the edition) of what Hochhuth called “historical documentation.” In a newspaper article published in Germany in 1963, Hochhuth defends his portrayal of Pius XII, saying: “The facts are there — forty crowded pages of documentation in the appendix to my play.” In a radio interview given in New York in 1964, when The Deputy opened there, Hochhuth said, “I considered it necessary to add to the play a historical appendix, fifty to eighty pages (depending on the size of the print).” In the original edition, the appendix is entitled “Historische Streiflichter” (historical sidelights). The Deputy has been translated into some 20 languages, drastically cut and with the appendix usually omitted.
Before writing The Deputy, Hochhuth, who did not have a high school diploma (Abitur), was working in various inconspicuous capacities for the Bertelsmann publishing house. In interviews he claimed that in 1959 he took a leave of absence from his job and went to Rome, where he spent three months talking to people and then writing the first draft of the play, and where he posed “a series of questions” to one bishop whose name he refused to reveal. Hardly likely! At about that same time I used to visit the Vatican fairly regularly as an accredited messenger from a head of state, and I was never able to get any talkative bishop off into a corner with me — and it was not for lack of trying. The DIE illegal officers we infiltrated into the Vatican also encountered almost insurmountable difficulties in penetrating the Vatican secret archives, even though they had airtight cover as priests.
During my old days in the DIE, when I would ask my personnel chief, General Nicolae Ceausescu (the dictator’s brother), to give me a rundown of the file on some subordinate, he would always ask me, “For promotion or demotion?” During its first ten years of life, the Deputy leaned toward the Pope’s demotion. It generated a flurry of books and articles, some accusing and some defending the pontiff. Some went so far as to lay the blame for the Auschwitz atrocities on the pope’s shoulders, some meticulously tore Hochhuth’s arguments to shreds, but all contributed to the huge attention this rather stilted play received in its day. Today, many people who have never heard of The Deputy are sincerely convinced that Pius XII was a cold and evil man who hated the Jews and helped Hitler do away with them.
Pacepa then writes, "As KGB chairman Yury Andropov, the unparalleled master of Soviet deception, used to tell me, people are more ready to believe smut than holiness." There is much truth to that statement, as the influence of The Deputy in its day and the success today of other fictional works, such as The Da Vinci Code, readily indicate. The way to move the emotions (if not the minds) of many people is usually not through scholarly tomes or sober analysis, but through stories, especially sensational, controversial stories. Just one more reason that there is no such thing as "just fiction."



































































































I sometimes think of Final Judgment like this, all the poisons that lurk in the mud will be flushed out, and we'll see it all.
Posted by: Ed Peters | Sunday, January 28, 2007 at 02:25 PM